
Are We There: 10 Year Anniversary Edition (Black, Grey & Silver Vinyl)
âThe name of this album represents, for me, a place I departed from
but with an acknowledgment that I haven't yet arrived..."
 â Sharon Van Etten on Are We There
Sharon Van Etten celebrates 10 years of Are We There, one of her most powerful and timeless collections, and announces the Are We There (Anniversary Edition), out May 31st via Jagjaguwar. Upon its release in 2014, Are We There was described by Rolling Stone as âa magnificent fourth LP, which grows her trademark examinations of romantic decay to cathedral-like scale,â and by Pitchfork as âher most present-tense album to date, her most immediate and urgentâthe peak of a steady upward trajectory.â It garnered collective praise from fans and critics across the globe, and landed on a slew of Best of 2014 lists, including top 25 nods from Uncut, Under The Radar, Paste, MOJO, Pitchfork, New York Magazine, Consequence, A.V. Club and beyond.
The Are We There (Anniversary Edition) will be available in standard black, grey, and silver tri-colour split vinyl.
For all the attention that was paid to her 2012 break-through album Tramp, Sharon Van Etten returned to the studio ready and eager to turn another corner, delve deeper, and write with more honesty and vulnerability than ever. The result of that effort was Are We There, a self-produced album of exceptional intimacy, sublime generosity, and immense breadth. From the opening chords of the first song, âAfraid of Nothing,â listeners witnessed a new awareness â a sign of Van Etten in full stride, writing, producing, and performing from a place that seemed almost mythical. Itâs a unique power of Van Ettenâs; she creates a bond with the listener that few contemporary musicians can match. Always direct, and never shying away even from the most personally painful narratives, many of the songs deal with seemingly impossible decisions, anticipation, and then resolution. Amidst brutal honesty, Van Etten finds moments of levity, as she always does. Her voice and words are as powerful today as ten years ago, and theyâre sure to endure for years to come.
âEvery Time the Sun Comes Upâ lifts the album, completing the world Van Etten let us into and resetting us gently for whatever may follow. As described by T Magazine, "the song's levity is a highlight of the album, with the kind of swagger both Loretta Lynn and Rihanna might envy. It's as daring as anything she's recorded." Since its release, âEvery Time The Sun Comes Upâ has become an indelible staple of Van Ettenâs live shows. In conjunction with todayâs release, she reveals the new, upbeat alternative version with an accompanying lyric video. Recorded remotely, Van Etten asked her drummer, Jorge Balbi, to produce it based off of the live arrangement the band has been playing for a few years now. âThis version of âEvery Time The Sun Comes Upâ developed as the band and I were really honing our sound,â comments Van Etten. âWe were rehearsing for the Weâve Been Going About This All Wrong Tour, leaning into some of our influences to give the song a more current feel to where we were all creatively at the time. We performed it live and the audience really responded to our new Joy Division-like spin on it. We had the idea to release it to celebrate the Are We There 10-year anniversary and breathe new life into it, which feels like the perfect time.â This version features Van Etten (vocals, guitar, foot tapping), Balbi (drums, percussion), Charley Damski (guitar), Devin Hoff (bass) and Teeny Liebrson (keys, vocals).
When making Are We There, Van Etten knew it was time to record entirely on her terms. At the same time, she recognized this didnât mean having to go it alone, and she assembled a beloved, now-celebrated community to bring her vision to life. To record, Van Etten found a kindred spirit in veteran music producer Stewart Lerman, whose studio expertise gave Van Etten the freedom to make Are We There the way she imagined. She also enlisted the individual talents of her band, consisting of Doug Keith, Heather Woods Broderick and Zeke Hutchins, and brought in friends Dave Hartley and Adam Granduciel from The War on Drugs, Jonathan Meiberg (Shearwater), Jana Hunter (Lower Dens), Peter Broderick, Mackenzie Scott (TORRES), Stuart Bogie, Jacob C. Morris and Mickey Freeze. The incomparable Richard Swift brought it all home, working with Van Etten on the final mix.
"The whole time I was making Are We There, I was commuting to Hobo Sound from an apartment in the city, and I took a train to the bus station and walked from the Lincoln tunnel to the studio in Weehawken, NJ. Making this record, my bandmates (Doug Keith, Heather Woods Broderick, and Zeke Hutchins) quickly became my family, and I realized I sought refuge in the studio. It was where I felt nurtured. It felt like home. I was able to find myself and I feel like that vulnerability and strength was captured through the collaborations on this album. The name of this album represents, for me, a place I departed from but with an acknowledgment that I haven't yet arrived."
â Sharon Van Etten on Are We There 10th Anniversary
Select Praise for Are We There
âFor a wallow in obsessive love, itâs hard to top âYour Love Is Killing Meâ on Sharon Van Ettenâs fourth album, Are We Thereâ â New York Times
âAre We There was a great deepeningâof Sharon Van Ettenâs emotional range, of the power of her songwriting, and of the potency of her voiceâ
â Pitchfork, âThe 200 Best Albums of the 2010sâ
âVan Etten goes several layers deeper, and faster, than most songwriters. Are We There is the kind of album that many people have been trying to make for years and only a dozen or so have pulled off: words, voice and heartbreak.â â New Yorker
â[Sharon Van Ettenâs] darkness contains multitudes.â â Rolling Stone on Are We there
âAre We There is a punishing epic of an album, intense and bruised and haunted, staring at listeners from out of a dark corner and daring them to come closer [...] a dark drone [...] one of the best albums of the year.â â A.V. Club
"Despite all the pain and doubt, Van Etten sounds more confident than ever on Are We There, adding more strength to her vocals without sacrificing the delicate beauty that makes them so haunting."
â SPIN
"Are We There is the clearest, most cohesive image of Van Etten herself and everything she's about as a musician." â Stereogum
"Unflinching, Americana-tinged rock that isn't afraid to go dark, Van Etten on Are We There mixes little beatbox rhythms, hypnotic melodies and just a touch of twang." â Los Angeles Times
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âThe name of this album represents, for me, a place I departed from
but with an acknowledgment that I haven't yet arrived..."
 â Sharon Van Etten on Are We There
Sharon Van Etten celebrates 10 years of Are We There, one of her most powerful and timeless collections, and announces the Are We There (Anniversary Edition), out May 31st via Jagjaguwar. Upon its release in 2014, Are We There was described by Rolling Stone as âa magnificent fourth LP, which grows her trademark examinations of romantic decay to cathedral-like scale,â and by Pitchfork as âher most present-tense album to date, her most immediate and urgentâthe peak of a steady upward trajectory.â It garnered collective praise from fans and critics across the globe, and landed on a slew of Best of 2014 lists, including top 25 nods from Uncut, Under The Radar, Paste, MOJO, Pitchfork, New York Magazine, Consequence, A.V. Club and beyond.
The Are We There (Anniversary Edition) will be available in standard black, grey, and silver tri-colour split vinyl.
For all the attention that was paid to her 2012 break-through album Tramp, Sharon Van Etten returned to the studio ready and eager to turn another corner, delve deeper, and write with more honesty and vulnerability than ever. The result of that effort was Are We There, a self-produced album of exceptional intimacy, sublime generosity, and immense breadth. From the opening chords of the first song, âAfraid of Nothing,â listeners witnessed a new awareness â a sign of Van Etten in full stride, writing, producing, and performing from a place that seemed almost mythical. Itâs a unique power of Van Ettenâs; she creates a bond with the listener that few contemporary musicians can match. Always direct, and never shying away even from the most personally painful narratives, many of the songs deal with seemingly impossible decisions, anticipation, and then resolution. Amidst brutal honesty, Van Etten finds moments of levity, as she always does. Her voice and words are as powerful today as ten years ago, and theyâre sure to endure for years to come.
âEvery Time the Sun Comes Upâ lifts the album, completing the world Van Etten let us into and resetting us gently for whatever may follow. As described by T Magazine, "the song's levity is a highlight of the album, with the kind of swagger both Loretta Lynn and Rihanna might envy. It's as daring as anything she's recorded." Since its release, âEvery Time The Sun Comes Upâ has become an indelible staple of Van Ettenâs live shows. In conjunction with todayâs release, she reveals the new, upbeat alternative version with an accompanying lyric video. Recorded remotely, Van Etten asked her drummer, Jorge Balbi, to produce it based off of the live arrangement the band has been playing for a few years now. âThis version of âEvery Time The Sun Comes Upâ developed as the band and I were really honing our sound,â comments Van Etten. âWe were rehearsing for the Weâve Been Going About This All Wrong Tour, leaning into some of our influences to give the song a more current feel to where we were all creatively at the time. We performed it live and the audience really responded to our new Joy Division-like spin on it. We had the idea to release it to celebrate the Are We There 10-year anniversary and breathe new life into it, which feels like the perfect time.â This version features Van Etten (vocals, guitar, foot tapping), Balbi (drums, percussion), Charley Damski (guitar), Devin Hoff (bass) and Teeny Liebrson (keys, vocals).
When making Are We There, Van Etten knew it was time to record entirely on her terms. At the same time, she recognized this didnât mean having to go it alone, and she assembled a beloved, now-celebrated community to bring her vision to life. To record, Van Etten found a kindred spirit in veteran music producer Stewart Lerman, whose studio expertise gave Van Etten the freedom to make Are We There the way she imagined. She also enlisted the individual talents of her band, consisting of Doug Keith, Heather Woods Broderick and Zeke Hutchins, and brought in friends Dave Hartley and Adam Granduciel from The War on Drugs, Jonathan Meiberg (Shearwater), Jana Hunter (Lower Dens), Peter Broderick, Mackenzie Scott (TORRES), Stuart Bogie, Jacob C. Morris and Mickey Freeze. The incomparable Richard Swift brought it all home, working with Van Etten on the final mix.
"The whole time I was making Are We There, I was commuting to Hobo Sound from an apartment in the city, and I took a train to the bus station and walked from the Lincoln tunnel to the studio in Weehawken, NJ. Making this record, my bandmates (Doug Keith, Heather Woods Broderick, and Zeke Hutchins) quickly became my family, and I realized I sought refuge in the studio. It was where I felt nurtured. It felt like home. I was able to find myself and I feel like that vulnerability and strength was captured through the collaborations on this album. The name of this album represents, for me, a place I departed from but with an acknowledgment that I haven't yet arrived."
â Sharon Van Etten on Are We There 10th Anniversary
Select Praise for Are We There
âFor a wallow in obsessive love, itâs hard to top âYour Love Is Killing Meâ on Sharon Van Ettenâs fourth album, Are We Thereâ â New York Times
âAre We There was a great deepeningâof Sharon Van Ettenâs emotional range, of the power of her songwriting, and of the potency of her voiceâ
â Pitchfork, âThe 200 Best Albums of the 2010sâ
âVan Etten goes several layers deeper, and faster, than most songwriters. Are We There is the kind of album that many people have been trying to make for years and only a dozen or so have pulled off: words, voice and heartbreak.â â New Yorker
â[Sharon Van Ettenâs] darkness contains multitudes.â â Rolling Stone on Are We there
âAre We There is a punishing epic of an album, intense and bruised and haunted, staring at listeners from out of a dark corner and daring them to come closer [...] a dark drone [...] one of the best albums of the year.â â A.V. Club
"Despite all the pain and doubt, Van Etten sounds more confident than ever on Are We There, adding more strength to her vocals without sacrificing the delicate beauty that makes them so haunting."
â SPIN
"Are We There is the clearest, most cohesive image of Van Etten herself and everything she's about as a musician." â Stereogum
"Unflinching, Americana-tinged rock that isn't afraid to go dark, Van Etten on Are We There mixes little beatbox rhythms, hypnotic melodies and just a touch of twang." â Los Angeles Times
















